Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

Friday, October 28, 2011

Five Dead Riders

“This marks one of the worst tragedies in motorcycle history. The purpose of this memorial is to never forget those of us who have fallen, and to remind us how precious life is and how quickly it can be taken away.  Live to ride, ride to live, God speed and please be careful.”
I first read that plaque on an unseasonably cool Monday in early August, 2009. High sky, no clouds, 77° at noon. Perfect riding weather on NorCal’s west Sierra slope, and the road we’d been following after bailing from US 50 near Pollock Pines was nearly devoid of traffic. A few weeks earlier, I’d jacked-up my rotator cuff falling down a mountain near that same road, trying to save my Nikon after tripping over some rusty barbed wire. That day, my brother and I continued on to Virginia City, where we ate fish tacos, visited the dead in a dusty 19th Century bone yard, and saw a drunk chick ride a little Ninja down Main Street.

On the way back down the hill we spotted a row of five large crosses sheltered by pines on a roadside embankment. We were racing the sun with no time to stop; I had witnessed the effects of deer on the motorcyclists who’ve smacked into ‘em, and I had no intention of letting one claim me. Just as well, as I was also feeling the need for something stronger than Motrin for that damned shoulder after riding several hundred miles using my other arm to lift my hand to the throttle. We sped past the site and made plans to follow up on it sometime later.

Later wound up taking a few months to materialize. Having failed to win the lottery, I was forced to allow work to interfere with other, more important pursuits. On August 3rd we returned. I wasn't prepared for the intensity of my response.


I am a lifelong, tortured agnostic. I don’t believe in any god, but I don’t actively disbelieve either. There’s a switch in my mind, painstakingly installed and subsequently maintained by the usual combination of genetics and environment, which redirects questions about the alleged persistence of non-corporeal consciousness to an out-of-the-way mental crawlspace. Sure, I think about such things, but when the intractability of the problem wears me down, I just stuff it in that fortified thought locker so I can continue to function in a semi-normal manner.


I had some trouble flipping that switch at the memorial. Memories of riding dirt bikes with my dad when I was a kid, thoughts of my own wife and sons and how my death-by-fiery crash would affect them, the history and physical qualities of the site—all of this contributed to a state that felt like the presence of something bigger. I can do a reasonable job of explaining this with my limited knowledge of neurology, but in this case I'll allow the undefined to remain undefined—to a greater degree than it needs to be—because I like it that way. As long as I make that distinction consciously, it’s cool.


Five stout wooden crosses stand as sentinels for this place that memorializes the lives of five motorcyclists who died on Labor Day weekend in 1989. These crosses line the ridge of a ten foot red dirt embankment along the south side of a sparsely traveled road that gains 4,000 feet in elevation over a distance of about 30 miles as you ride east.

To reach the memorial beyond the crosses, you either scale the embankment or walk along a dirt path threading through the trees from a turn-out half a football field west. Either way, when you get there, be prepared for conflicting emotions. This is a peaceful place, and even the occasional passage of vehicles on the roadway below won’t distract you from contemplating the duality of that peace and the violent collision and fire that claimed five lives. The riders were part of a larger group, maybe 30 or 40 bikes strong, en route to Hope Valley on a bright September morning. The young, inexperienced driver of a west-bound truck hauling wood lost control on the downgrade, and when it was done, James Carter, Jeff Pearl, Jeffrey and Debbie Sund, and Doug Wall were all dead.


Echoes of terror are there if you want them. What would you feel, watching a one-ton flatbed coming at you sideways with just enough time to know your fate but not evade it? Which is worse, blunt force trauma or immolation? Would your thoughts—in that brief interval between threat recognition and fate realization—have any coherence, or would all your energy be spent trying to react? You can ponder those questions when you visit this place, but you’ll also notice how calm and removed it seems, despite the proximity of the road below. You can hear ravens and Steller’s jays. Beds of pine needles, sun-dappled shade, a tree with a trunk and dead limb that forms a big dollar sign 50 feet up. In the summer there are plenty of grasshoppers just outside the perimeter of the little clearing, and western fence lizards skitter around on fallen branches. Life amid the remembrance of loss, the juxtaposition more profound and elemental than what you’ll find at a cemetery. Evidence that not only is Zen something you bring with you and discover more readily when distractions are minimized, but also that a ten foot dirt bank is more than enough mountain to scale in search of it.

In a clearing under the pine canopy there is a simple concrete base supporting a pewter plaque that tells the story. Also mounted on this low pedestal is the engine of one of the bikes, and damage from the extreme heat of the fire can be seen in the parts that melted. Touch it. That V-twin power plant once moved a rider through space and time and spiritual awareness just as your bike moves you now. Examine the bits and pieces of tribute left by other riders. An American flag patch. A laminated card of an artist's depiction of Jesus. Cards bearing the logos of several MC’s and riding clubs. A half-smoked cigar and a sticker with the grinning skull logo of Ironworkers Local 118. Some coins. An old digital watch, cracked and burned and stopped forever. Some .38 Special and .45 long Colt brass. A small brown and white teddy bear. A tiny, bent redwood seedling, nurtured by an elderly couple with a can of water, survivor of winter snows and inadvertently placed boot soles. The old collar and tags of a long-dead, beloved dog.




Leave your own tribute, but respect the tone and nature of the spot and the memory of those whom it honors. Let yourself absorb the detail and the generality, the physical objects, their natural surroundings, and the atmosphere they produce. Don't force it, just let it. If there’s enough of whatever it is to register in the undefined zones of my agnostic mind, it will definitely affect you.

© Pseudocognitive


An excellent memorial-themed ride report from NorCal with some compelling photographs can be found on the John Is On The Road Again blog.


Memorial to Five bikers on SmugMug

I obtained some of the information about the crash from the plaque at the site; the rest of the background information about the incident is from an interesting article by RJ “Cowboy” Carter of the BoozeFighters MC.

Note: In the realm of motorcycle riding, there exist distinctions among the various classifications given to and used by the operators of the machines. It is beyond the scope of this article to examine the differences between those who truly are “bikers”and those who are not (not to mention trying to dispel whatever misconceptions some readers may have concerning various stereotypes). For that reason, I have chosen to refer to the people who died in this crash by the more general term “rider,” no offense intended to anyone at all.

Tuesday, August 30, 2011

Ocean Beach, San Francisco

Tourists following non-tourists
Ocean Beach is like Atlantic City without the Boardwalk or casinos. With a better ocean. In a better state.

Big metal boxes

"Lodi Man" (see earlier post for two paragraphs of sketchy details)
I do not know them
Bob was morose--the sea spat him out

Hurry, Spot
British bikes are cool, but one should not place trust in their electrical systems



© Pseudocognitive



Saturday, August 27, 2011

Down in the Delta: Gambling, drinking, and history


On the main street of an old riverfront town in the Delta there is a former gambling hall. This place and the town where it still stands were built and populated long ago by Chinese immigrants to California. The town is Locke, located at the apex of an elbow-bend in the roiling Sacramento River just north of Walnut Grove, and it packs a lot more substance than the post's title implies. You walk through Locke, you don't come out the other end without some history hitching a ride.





© Pseudocognitive

Tuesday, August 16, 2011

Your Feets Too Big

Your pedal extremities really are obnoxious.
One never knows, do one?
—The Immortal Fats Waller


Photo © Pseudocognitive All rights reserved, forever.

The Iron Door Grill in Groveland, California



Rode into Groveland, took a snapshot from the saddle, over-sharpened it, posted it randomly.  The end.


Post and photo © Pseudocognitive All rights reserved, forever.

Oakdale, California


They ride. Never mind they started six episodes into season one, or that those helmets are the ones the dealer told ‘em they’d need if they wanted to fit in, or that a fifty mile radius around Main Street still stands unchallenged. At first, the bike was just a religiously DVR’ed plasma screen idea. Now, it’s steel and rubber and chrome and leather and chitinous shrapnel hitting their cheeks and yellow guts on the the leading edge of their Levis and—the one time they gave that V-twin a proper wrist cracking out on 120 just after sunset—the powerful grit-wake of an oncoming Peterbilt. Now they feel it. There are many layers to all of this, and maybe they've found theirs. Who am I to argue?
•••••

Note:
This is a photo of a nice couple on a Harley Davidson. Characterizations are wholly speculative, and NOTHING negative is implied. Oakdale is better than Petaluma. I would not say this if it weren’t true, so believe it.



Post and photo © Pseudocognitive All rights reserved, forever.

Monday, August 15, 2011

Random snapshot of the day, again

Long-dead McCammon in Bodega, California, home of Hitchcock’s “The Birds”

Cut in two by a neighbor’s ax. Or trampled by a gang of mutinous mules. Or maybe it was the grippe. Or a ride-by shooting with cut-down shotguns. At least he died long before those avian fiends took over the town and started pecking out human eyes.  No disrespect for the long-dead intended.




Post and photo © Pseudocognitive All rights reserved, forever.

Sunday, August 14, 2011

Two-paragraph picture: Lodi Man


This guy can’t possibly think that the woman he met a few hours ago can actually see him from the cargo container she’s hiding in. He has to know that even if she could see him, she wouldn’t bother to acknowledge his solitary presence on that gray beach. Look at him–his posture saying nothing so loudly as “defeat,” his bag full of whatever physical hooks to his history he considered important enough to pack when he fled the basement room back in Lodi. This guy should be tacked up on the office walls of high school guidance counselors everywhere as an example of how not to carry yourself if you want to avoid being bullied.

For God’s sake, man, you were nothing but a means to her end anyway.  Straighten your spine, throw away the cracked, useless condom you’ve been carrying in your wallet since 1984, and walk the hell out of there!  Start a new life. Get a boat and take people fishing for leopard sharks. Set up a fire-walking franchise on Mt. Tam; there are still plenty of harmonic convergers willing to part with some cash for the chance to believe in totally bogus bullshit. Something, anything besides staring at that ship. I can’t watch you any longer.

                               

Post and photo © Pseudocognitive All rights reserved, forever.

Friday, August 12, 2011

Intracranial Purge, Volume .22: Buntline vs. Brain


You step in the mud by the river and there’s no resistance. Your foot sinks, and as you fall, raspy stalks of Equisetum slide across your cheek like the Mastercard in those old Gillette commercials, and then you’re down. It’s cool and you stare at nothing and your eyes should hurt but they don’t. Twenty-two caliber Swiss cheezerizer, spent slug resting against your forehead after pinging around a few times. Your mind  is aerated, except there are no little cylindrical plug extrusions littering your scalp, just a neat little entrance wound. And then a small, fastidious man takes something from your hand, picks up his brass, walks away whistling “Fortunate Son,” and it’s done.


Once a week and only once a week, I drink a beer. Sometimes when I drink a beer, I write a paragraph, plucking random thoughts out of files on my mental office floor. I accept no blame (because of the beer).  Each of these paragraphs represents the effects of a different beer, and none of them are any good at all.



Post and photo © Pseudocognitive All rights reserved, forever.

Saturday, August 6, 2011

Meatball Photography

Valuable self-awareness, or a boatload of philosophical crap: An examination of why I actually like a few of my pictures...

I like this picture. I selected it from thousands of others I have that range from very ordinary to downright bad (with the occasional exception). I used to shoot these pictures during brief stops on motorcycle rides within a 150 mile radius of home. The geographical limit was not imposed by an ankle monitor and  parole officer, although my 99 year old grandmother was a parole officer for the State of California until her retirement in about 1975. It was and is a self-regulatory boundary that makes no sense to most observers.

In "M*A*S*H" (the Robert Altman film, not the TV series, which was okay for the first few seasons but went downhill fast when Trapper John left, Henry was killed en-route back to the States, and Hawkeye devolved into a sanctimonious caricature of Phil Donahue phony liberalism), they referred to their brand of intervention as "meatball surgery," a term that's been stuck in my head for decades. They operated on soldiers with horrific injuries under primitive conditions and did the best they could and then sent the survivors to a rear area for better treatment. I have used this as a metaphor for all kinds of completely unrelated processes throughout my life, mainly because once something gets into my head I can never, ever get it out of there. I call my style of picture-taking "meatball photography" because I do it with very basic gear under extreme time constraints. Once in a while, this method produces something that seems to be enhanced, rather than compromised, by my peculiar procedure. The gritty, contrasty qualities of the above photo were influenced by this method. It's a state of mind, I think. I want to really go off the deep end and make some connection to Steinbeck's peepholes and the perspective they provide on "...whores, pimps, gamblers and sons of bitches," in other words, "Saints and angels and martyrs and holy men." I'll avoid that particular exercise in grandiosity right now, though, and simply say that once in a while my fractious mental processes work to my benefit. I count myself lucky if that happens for maybe one shot in every thousand. That's why I like this particular picture - its imperfections mirror my own.




© Pseudocognitive